I finally got around to putting together a single page spread of last years sculptures, with all of them together, the good, the bad, and the indifferent. I completed less than half as many as I did the year before, but I chose to work the bulk of the years items in super sculpey, so that they could be baked and painted, which is different than the Chavant stuff, which are used to cast and mould items for larger production. I have yet to step into that ring, mainly because it is expensive, smelly and requires knowledge I do not yet have a firm grasp of. Plus I’m not a house hold name, and I’d hate to end up sitting on twenty five pieces of my own artwork for no reason other than hubris, thinking others would like my stuff even half as much as I do in some instances. I chose to add in the crappy sculpts too, because, Hey!, a good portion of creating is putting out garbage until you refine your skills enough to do something you are somewhat proud of. I haven’t put any new clay down yet so far this year, I do have an armature bulked out ready to go, but I’ve been focused on writing, reading, and drinking water until I can’t stand myself any more. I have a couple of ideas for what I will do, I’m just not ready to commit to it yet. I tend to see so many great things over on the Shiflett brothers sculpting forum on facebook, and on instagram, and I squirrel those images and ideas away until I can really get my head around it.
Also I wanted to give a shout out to my Olympus SP-500UZ which I bought in 2006, which is still going strong to this day. I came to turn it on today to get my collage done and it was dark, but with some new batteries, she is up and running and just a great as the day I got it. Although if I’d have had the money, a Pentax film camera would have been my go to, but just out of College/University I chose a point and shoot that had several more options and capabilities. This is pre digital SLR being ubiquitous and cost effective for noobs to own. Although the camera on my phone is really good for this sort of thing too.
One goal I am going to accomplish this year, if to do a full figure again. I started out doing whole people, and then couldn’t do faces and hands and feet. Spent some time with the Ninja Turtles as my muse and could do a passable three fingered hand, and two toed feet and then went to busts to really get to know a face; the eyes, ears, mouths and noses. I have yet to master any other those elements, but I can at least make things look human, or depict the essence of my subject. I think i got fairly close in 2018 with my Thanos, Yondu & Thor busts. Also a big reason I’ve calmed down on my output is that I have limited space in my office/studio for storage, and don’t want to have my rough work scattered throughout the house, or in the basement. We have Nerf® gun fights, and rough house down stairs and I’d get mad if my stuff got injured in the course of us having a family fun Nerf® gun fight. An errant bullet deforming an oil based clay sculpture would not be my favourite thing.
Oh, and another thing, the reason I did 60% of last years sculpting work in Sculpey was because I had ideas about painting them all, and taking the best paint job / best sculpted item to the Markham Fair. You see they don’t really have a sculpting category, but you can enter painted ceramics. Sculpey is ceramic like, but not ceramic. So I can enter to get people to see my work, but it doesn’t qualify for judging or prizing. Just eyeballs, and a chance to show friends and family my work out in public. Which is fun, so I have that going for me.
Greatwall Studios Graphic Design 
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