RULE #361 : Never underestimate how much more people are willing to pay a big named company to do the same thing you (a small boutique company) can do for them, with higher personalized quality and more cost effectively, while trying to not pay YOU at all.

Oh the joys of self employment. I ran into this all the time when I worked in-house for a few companies over the last two decades. You’d pay a half a million dollars or more for an idea, and in the end you would only be supplied with the raw pieces, and a little lone production guy (formerly me) would put those elements together while getting paid a tenth of that over a whole year, and not just for that one campaign element. If you want the creative folks to put it all together you need to cut a different, equally high Studio cheque to have it put down so it can be printed, or go live on the App/Website.

Now I get to do both, which is very creatively fulfilling. Production work is the bread and butter which funds the time it takes to create new and exciting things. Can’t spend your time contemplating new ideas if you’re dead ass broke. Have to fund that kind of time with the more straight forward stuff. Things like moving a line of products from one die line to another. Taking existing artwork and rejiggering it to fit new parameters, and tech ical specifications. Like migrating web banners of a landscape orientation, into a bus stop print ad in Portrait orientation. It takes technical skill, and compositional know how to get one to look and feel like the other. To carry over the essence while being almost entirely different. Which is challenging, and fun all at the same time.

I don’t make a habit of chasing RFP’S, and bidding on work. That all takes an awful lot of time, effort and opportunity cost to do. Whereas if I build relationships with people, you can be assured that those positive experiences can, and will carry over as Marketing people, Brand Managers and such move from product to product, and industry to industry. You don’t forget the ease at which you can work with some folks. And when the opportunity presents itself, they will seek you out to further that working relationship. It’s rather nice. Word of mouth is a real help too. But mostly if your friends, are friends with people whom are Managers, Directors, CEO’s and persons of clout. That helps a lot. Hard to pull in new clients from the very ground floor. It is doable, but good grief what a slog that is. So many hurdles and obstacle to jump. Not to mention the constant harassment about compensation vs. Exposure, or timely payments. And the endless nitpicking over your invoices, asking for by the minute break downs to account for every single penny. Makes being creative very difficult if you spend half your time fighting for yourself & reputation.

Here it becomes readily apparent just how easily they’d cut a $50,000 or a $100,000 dollar cheque without batting an eye lash, versus paying your the $3,125.75 invoice. For that they want a line item by line item audit. Meanwhile you didn’t pull from a prearranged template like those big guys likely did, and built them something custom and totally individualized. I don’t have an account manager to massage the client into accepting the first idea. I don’t wine & dine. I tailor my work to suit, and that needs to be enough. Oh, I’ll have a business dinner, or a round of drinks with my largest clients if/when it’s needed. But I don’t do that weekly, or even monthly. That can come up once a year (Covid has impeded this practice) or every other year depending on circumstances.

So as much as I hate it, Networking is important to growing your business. That and technical skills, quality products, a high degree of accuracy with the end file, and the ability to successfully juggle deadlines, and your time. I don’t wish to grow so large that I no longer do the design work and spend all day managing people, budgets & meetings. That sounds horrendous to me. No thanks. A small boutique that caters to its clientele, and puts out great work which everyone is happy with. I’ll stay there for as long as I am able.

So pay your artists! Invest in quality photographers. And most of all, take care out there. Ciao Bella!

Ooh they do take lovely photos though, don’t they.

I get subcontracted to produce marketing reports on the semi regular (when Covid isn’t being super shitty) and one of the external clients produces some of the most consistently amazing photos that I get to see. I don’t go to these events, but after reviewing the photo sets, oh boy, sometimes it feels like I went. The colours and composition is just fantastic. I tell you, paying a good photographer real money to capture your event is worth its weight in visual gold. You could live off of these photos for weeks if not months, building social media engagement, advertising, internal intranet posts, newsletters and what not. Don’t skimp. Just because most folks can afford an SLR now, doesn’t mean they know how to frame up a shot or get the best out of the available lighting. It makes a real difference when I get photography from a paid professional, vs a bunch of volunteers snapping random shots, that are blurry, poorly composed, or the lighting is flat, too dark, to bright. I can only do so much to remedy that on my end. But these bad mamma jammas are legit. Can’t show none of it to anybody but the client, but woah buddy, you’d like these pictures of the events.

The same thing applies to product photography. Get your shit infront of a professional, don’t try to do it yourself. Or failing a real photographer get the best 3D model/rendering you can afford. Will beat a cell phone image any day of the week. But I digress.

Hot one today. My friend who works in weather forecasting says we have potential for tornadoes in southern Ontario again, today. As well as a wind storm front passing through here tomorrow. Going to be a wild couple of days around here. Hopefully not another Derecho. Because that shit tore through our farm property and did six figures worth of damage is not more. Yikes.

Getting very close to final assembly and glue up of my small multi purpose table. I have a slight issue to fix with the shelf, but otherwise should be good to move forward and complete it sooner rather than later. I also stripped my ninja turtle sculpt back down to the armature. I hated the pose, and then a bunch of stuff was miss proportioned, so as I have no dead line nor client in mind, I took it back down to bare wire, and reposed the armature. Had to drill out new holes, but I’m ok with that. I may add water or sewer features to the base to hide the extra unused holes. A chance for some mixed media materials to be incorporated. Fun times!

I figure I will wait until my turtle is done before I do any painting. My Ogre is baked and based. Ready and waiting on my turtle to get done. Ciao Bella!

2019 Sculptures : And a shout out to Olympus built cameras

All ten bust sculpts from 2019. Some are done in Super Sculpey and some are done in Chavant NSP Hard, and Monster Clay Hard.

I finally got around to putting together a single page spread of last years sculptures, with all of them together, the good, the bad, and the indifferent. I completed less than half as many as I did the year before, but I chose to work the bulk of the years items in super sculpey, so that they could be baked and painted, which is different than the Chavant stuff, which are used to cast and mould items for larger production. I have yet to step into that ring, mainly because it is expensive, smelly and requires knowledge I do not yet have a firm grasp of. Plus I’m not a house hold name, and I’d hate to end up sitting on twenty five pieces of my own artwork for no reason other than hubris, thinking others would like my stuff even half as much as I do in some instances. I chose to add in the crappy sculpts too, because, Hey!, a good portion of creating is putting out garbage until you refine your skills enough to do something you are somewhat proud of. I haven’t put any new clay down yet so far this year, I do have an armature bulked out ready to go, but I’ve been focused on writing, reading, and drinking water until I can’t stand myself any more. I have a couple of ideas for what I will do, I’m just not ready to commit to it yet. I tend to see so many great things over on the Shiflett brothers sculpting forum on facebook, and on instagram, and I squirrel those images and ideas away until I can really get my head around it.

Also I wanted to give a shout out to my Olympus SP-500UZ which I bought in 2006, which is still going strong to this day. I came to turn it on today to get my collage done and it was dark, but with some new batteries, she is up and running and just a great as the day I got it. Although if I’d have had the money, a Pentax film camera would have been my go to, but just out of College/University I chose a point and shoot that had several more options and capabilities. This is pre digital SLR being ubiquitous and cost effective for noobs to own. Although the camera on my phone is really good for this sort of thing too.

One goal I am going to accomplish this year, if to do a full figure again. I started out doing whole people, and then couldn’t do faces and hands and feet. Spent some time with the Ninja Turtles as my muse and could do a passable three fingered hand, and two toed feet and then went to busts to really get to know a face; the eyes, ears, mouths and noses. I have yet to master any other those elements, but I can at least make things look human, or depict the essence of my subject. I think i got fairly close in 2018 with my Thanos, Yondu & Thor busts. Also a big reason I’ve calmed down on my output is that I have limited space in my office/studio for storage, and don’t want to have my rough work scattered throughout the house, or in the basement. We have Nerf® gun fights, and rough house down stairs and I’d get mad if my stuff got injured in the course of us having a family fun Nerf® gun fight. An errant bullet deforming an oil based clay sculpture would not be my favourite thing.

Oh, and another thing, the reason I did 60% of last years sculpting work in Sculpey was because I had ideas about painting them all, and taking the best paint job / best sculpted item to the Markham Fair. You see they don’t really have a sculpting category, but you can enter painted ceramics. Sculpey is ceramic like, but not ceramic. So I can enter to get people to see my work, but it doesn’t qualify for judging or prizing. Just eyeballs, and a chance to show friends and family my work out in public. Which is fun, so I have that going for me.