Did I Manage to Salvage the Ogre Rogue… You Tell Me. The Painting Episode: Take Two.

So in our last painting episode I attempted something which I had not done before, a realistic human skin tone. I had the appropriate paints, I was following along step by step, and I even added flecks of mahogany, green, blue and red for that authentic splotchy skin we all have. And then I got real heavy handed with the last two layers of high lights, and washed it all away. But not before I added the blue glaze to add some of that Ogre ‘otherness‘ to his look, and it all went to dog shit.

I had some thoughts regarding going right back to primer, and trying again from the start. I was all ready nearly three hours deep on the paint job at this point, so I instead opted for a quicker fix. It wouldn’t help with my over sprayed shading issue, being that I had mostly erased all of my layered shadows. But I pressed on. Adding a new round of flecked speckles. At this point I was happy enough (I guess?), and dug in to painting the rest of him. Chainmail, cowl, hair, teeth, eyes, belt, furs and trinkets. I tried to get a rusty feel to the pauldron, but as I started with a Copper look, a blue/green patina would have worked better, in retrospect. No matter. I put his crows beak/war hammer back on, and painted that a little. In all honesty the weapon requires a lot more work at this point, but I’m over it for now.

I had some EU labels come in, and the spectre of another report or three looming, and I don’t want to invest more time on the weapon right now, as the paid work can come in at any second. Gotta stay nimble as a freelancer. Hurry up & wait is real common round these parts.

Anyway, here he is, and here is how it’ll stay for a while longer. Perhaps come January, in my down period I’ll pick him back up and polish some edges. Behold, the thing I have made.

95% complete Ogre Rogue bust I sculpted this year (2022).

It looks like a thing, so I have that going for me, which is nice. Otherwise all I have left is the no name brand Ninja Turtle character I have left to paint. Could just leave it as plain Apoxie sculpt though. That’s a thing that people do these days, just leave it in it’s original colour. I can get behind that I think.

The Rogues Gallery of 2022 sculpted items, and their paint jobs.

Sculpting: Ogre Rogue progress.

I am turning the corner on my Ogre bust sculpt. Adding in the clothes and details. I have a modified war hammer axe in the works to pin onto the left shoulder. Should have an attached left hand to go with it to finish off the silhouette. Haven’t sculpted hands in a while. Should be a frustratingly difficult addition to my project.

Dashing pretty boy Ogre Rogue.

I think I’m going to tackle a Ninja Turtle next. I have done a bunch in clay over the years, eight or so to he more precise. But never in Super Sculpey. I’ll do one up so that I can paint it. Maybe a full figure and not just an armless bust this time around? I’ve got months to figure it out. I’m in no rush.

Also my table build is progressing at a good pace. Still cutting down and building the pieces. Going to be a lot of sanding to do before final assembly and then moving on to finishing. Flat slab top, thin drawer below, with a slatted shelf near the bottom. A mixed utility small table. Adapt and move forward!

Well, I’ve gone and done it again. Terrain build #3.

I’ve always wanted to have an interconnected series of gaming terain boards and now I’m on a mission to complete all four 2ft by 2ft boards.

The third installment sees us come up against some steep shoreline, more water, cliffs, and a ruined temple upon a plateau with trees growing out of its discarded rubble. I also tried something new with this build in terms of materials: namely tile grout that hardens to stone with the liberal application of just plain water. Choosing the right colour was/is an ongoing challenge unless you can store multiple sacks and/or boxes of the stuff.

Here are the build images in progression.

Cut out the foam, add the wooden rocks, add some tile grout/stones/sand for texture. Block it all into place with papier mache.
After the grout has dried.
Primered in black for a uniform colour.
Dry brush grey.
Dry brush beige.
Dry brush titanium white on the top most portions of the rocks and rubble.
Slather on watered down mixture of earthy brown paint.
Block in my water.
After adding the various colours of flocking, tufts, trees and more tile grout. Also added some clear gloss varnish to the water.
How the current three tiles fit together. Waiting on ideas for completing the fourth. Will either be a rolling hill, or a two tiered piece with a surprise.

If you looked this far, and read that, thanks for following along. One more build to go and then I’ll have to move on to my woodshop projects. Almost finished the Harry Potter trunk I’m building for my daughters book collection, wand, robes, tie, glasses and D&D dice. All I need to finish it is the burgundy felt I ordered to line the inside in Gryffindor colours. Catch you around.

Spending some down time sculpting

Like I said in a previous post, I have pulled back from my writing so that I can continue to dabble in clay. I just like the visceral feel of tacky clay under my finger nails. Watching something grow from a wire armature into a fully realized piece with some detailing on top for good measure. I put nearly 44,000 words to paper in the first six weeks of 2020, and only one full sculpt. So now I’ll do that for a bit instead. Below you can see the bulk of my hard work over the last several years. Enjoy.

Book case of clay sculpts.
Last years super sculpey polymer busts.

Plans for March.

Writing stuff took me to just over 43,000 words for 2020, which is kind of insane. I have some stuff being edited, so that’s cool. But I think I will turn away from writing for a bit and work on some sculpting projects again. I have had an armature sitting waiting for me since New Year’s day. I think another giant or ogre is on the books. Still slow going with the piano stuff, but I enjoy it so I don’t care that it is taking me a while to learn my first song all the way through. Ten to fifteen minutes a day keeps it fresh but doesn’t really build up much memory. Hope you are all keeping up with your challenges or resolutions or what have you. A huge thanks to anyone who read my short stories, or the micro stories that didn’t take place in space.

Although, now that I’ve said all that I am having some thoughts about a couple of new shorts to write. I am worried that I am starting to write stuff just for the sake of views, likes and such. That’s not really a good way to complete a hobby. Plus, I find they have started to get long. I think I will focus more on the under a thousand word mark, to tell an evocative, compelling short story. Not try to pad it out for the sake of an interconnected series. Say what needs to be said and then move on.

This all came at me while I was sorting and folding laundry. Plus I enjoy the short fast spurts of creative writing. It’s not as visceral as sculpting, but it scratches that creative itch, and fits around working my day jobs. Part time graphic designer, and full time stay at home dad.

Getting the itch to create…

An even bigger roster of items I’ve completed this year. Definitely taken a turn for the fantasy realm as of the last three – four months. May even be taking my first commission offer within the next week or so. Could be a way to supplement my freelance graphic design revenue.

I’d love to use this skill set to design a really funky tap handle. I’ve done that on paper, and in illustrator, but never done it traditionally for a full on mould and cast job.

If any one would like to have a very custom award/ topper made to hand out to staff at conferences and the such that would be a cool project to do.

Contact me at : gwstudios@rogers.com

For OOAK (One of a kind) bust (around 8″ tall and 5″ wide depending on character) you’re looking at $600.00 + 13% HST (in either a Chavant® NSP Hard or Super Sculpey® medium). To have your item moulded and then cast in resin please contact me for a quote.

Sculptures_2017_Part Three