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Tag: Super Sculpey

Was it something I wrote?

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Not gonna lie, big shock to see the amount of traffic that came by here yesterday. Nice to see, but just goes to show I have no idea what anybody likes, or enjoys about my blog posts. Though: I will say this, anything to do with wood working will get at least a handful of views. Maybe not the day of, but eventually it will. That much I know. So, there is that.

I don’t have any immediate wood shop plans, except to make myself a smallish air brush painting cowl, that I can wrap in plastic, and run a vacuum out the back to trap any overspray. I don’t think the build will be very interesting, or complicated, so I don’t,  as of yet, plan to document it. The reason for the build is that I finally broke down and ordered specific air brush paints. So instead of painting into a cardboard box, like I used to do, I’ll make a sturdier wooden box, lined in plastic, and with a plastic hose adapter embedded in it to contain the mists. It’ll be covered by an open cell foam pad to soak up particles, that can be replaced. But I don’t forsee myself suddenly becoming a painter of many things. I have my busts to do, and a few miniatures laying around to finish up, and then it’ll sit in the closet for a long while. Actually I bought Fantasy Series Two from a kickstarter that hasn’t released yet, so when those 200 models show up, the air brush & cowl will get some serious use. I call it a cowl because it’s so small, and not quite a full booth. Semantics I suppose. Cowl sounds cooler than spray booth to my ears.

On the sculpted bust front my Hellboy is coming along. Trying to take my time with this one. I had done an interesting bust of him several years ago, which I was hoping to recreate, but the armature was incorrect, so now I’m doing just a head and neck version. It’s a work in progress, and still needs a fair amount of work. Like reshaping the planes of the face, smoothing, texturing, adding hair and a pony tail. Pores and veins, and whatever else that can make this as high quality as I can manage right now.

It still seems oddly flat in the face, so I think the planes are off. Probably needs to be drawn more front to back, from nose to mandible. I need to consult my physiology reference books to see where I went wrong. But it looks like an angry guy with horn nubs on his forehead, so I have that going for me. The red Sculpey feels more like oil clay, which while icky, feels like a return to Chavant. I dig it. Now I wish I had bought more of it. It was like $10 cheaper than any kind of Super Sculpey. And that’s something that I can really get behind.

Already have some work lined up for this week, which is always good to know. That’s it for now. Take care out there. Ciao Bella!

Sculpting: Ogre Rogue progress.

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I am turning the corner on my Ogre bust sculpt. Adding in the clothes and details. I have a modified war hammer axe in the works to pin onto the left shoulder. Should have an attached left hand to go with it to finish off the silhouette. Haven’t sculpted hands in a while. Should be a frustratingly difficult addition to my project.

Dashing pretty boy Ogre Rogue.

I think I’m going to tackle a Ninja Turtle next. I have done a bunch in clay over the years, eight or so to he more precise. But never in Super Sculpey. I’ll do one up so that I can paint it. Maybe a full figure and not just an armless bust this time around? I’ve got months to figure it out. I’m in no rush.

Also my table build is progressing at a good pace. Still cutting down and building the pieces. Going to be a lot of sanding to do before final assembly and then moving on to finishing. Flat slab top, thin drawer below, with a slatted shelf near the bottom. A mixed utility small table. Adapt and move forward!

Spending some down time sculpting

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Like I said in a previous post, I have pulled back from my writing so that I can continue to dabble in clay. I just like the visceral feel of tacky clay under my finger nails. Watching something grow from a wire armature into a fully realized piece with some detailing on top for good measure. I put nearly 44,000 words to paper in the first six weeks of 2020, and only one full sculpt. So now I’ll do that for a bit instead. Below you can see the bulk of my hard work over the last several years. Enjoy.

Book case of clay sculpts.
Last years super sculpey polymer busts.

2019 Sculptures : And a shout out to Olympus built cameras

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All ten bust sculpts from 2019. Some are done in Super Sculpey and some are done in Chavant NSP Hard, and Monster Clay Hard.

I finally got around to putting together a single page spread of last years sculptures, with all of them together, the good, the bad, and the indifferent. I completed less than half as many as I did the year before, but I chose to work the bulk of the years items in super sculpey, so that they could be baked and painted, which is different than the Chavant stuff, which are used to cast and mould items for larger production. I have yet to step into that ring, mainly because it is expensive, smelly and requires knowledge I do not yet have a firm grasp of. Plus I’m not a house hold name, and I’d hate to end up sitting on twenty five pieces of my own artwork for no reason other than hubris, thinking others would like my stuff even half as much as I do in some instances. I chose to add in the crappy sculpts too, because, Hey!, a good portion of creating is putting out garbage until you refine your skills enough to do something you are somewhat proud of. I haven’t put any new clay down yet so far this year, I do have an armature bulked out ready to go, but I’ve been focused on writing, reading, and drinking water until I can’t stand myself any more. I have a couple of ideas for what I will do, I’m just not ready to commit to it yet. I tend to see so many great things over on the Shiflett brothers sculpting forum on facebook, and on instagram, and I squirrel those images and ideas away until I can really get my head around it.

Also I wanted to give a shout out to my Olympus SP-500UZ which I bought in 2006, which is still going strong to this day. I came to turn it on today to get my collage done and it was dark, but with some new batteries, she is up and running and just a great as the day I got it. Although if I’d have had the money, a Pentax film camera would have been my go to, but just out of College/University I chose a point and shoot that had several more options and capabilities. This is pre digital SLR being ubiquitous and cost effective for noobs to own. Although the camera on my phone is really good for this sort of thing too.

One goal I am going to accomplish this year, if to do a full figure again. I started out doing whole people, and then couldn’t do faces and hands and feet. Spent some time with the Ninja Turtles as my muse and could do a passable three fingered hand, and two toed feet and then went to busts to really get to know a face; the eyes, ears, mouths and noses. I have yet to master any other those elements, but I can at least make things look human, or depict the essence of my subject. I think i got fairly close in 2018 with my Thanos, Yondu & Thor busts. Also a big reason I’ve calmed down on my output is that I have limited space in my office/studio for storage, and don’t want to have my rough work scattered throughout the house, or in the basement. We have Nerf® gun fights, and rough house down stairs and I’d get mad if my stuff got injured in the course of us having a family fun Nerf® gun fight. An errant bullet deforming an oil based clay sculpture would not be my favourite thing.

Oh, and another thing, the reason I did 60% of last years sculpting work in Sculpey was because I had ideas about painting them all, and taking the best paint job / best sculpted item to the Markham Fair. You see they don’t really have a sculpting category, but you can enter painted ceramics. Sculpey is ceramic like, but not ceramic. So I can enter to get people to see my work, but it doesn’t qualify for judging or prizing. Just eyeballs, and a chance to show friends and family my work out in public. Which is fun, so I have that going for me.